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 Today is a holiday. I didn't know that and I didn't know until my wife told me that. After lunch I went to ACE but it was closed. No biggie, I thought it was because it had snowed and they were closed because of that. Almost  two hours later, and after going to 3 other ACE stores that were closed, I headed back to the barn. I wanted to get a small lid stay but that will be delayed until tomorrow.

last night after dinner

Took the left door off so I could plane a tapered rabbet. I couldn't wait until the next day before I did it. Before I did the rabbet I planed the glazing bars down to the muntins.

sigh

The middle screw hole is toast. Both the top and bottom screws were pulled out by the weight of the door. I filled them in with unfinished maple golf tees.

2nd round

Missed getting a pic of the fit after the first planing run. Not all of the taper was gone - I would guess ta mate that 95% of it was. I had planed down to the layout line on the first run. On the 2nd one I planed the lines away. The 2nd fitting had to wait until the AM.  

happy face on

The 2nd planing run was the trick. I am happy with how the right door is laying up against the left one. Tiny bit of a gap at the top but I am not going to obsess about it.

hmm......

The margin I have is more than I expected. But it might be in my favor come summer time. I don't anticipate the doors to move much but this will afford some room for it.

80 grit

The bottom shelf had gotten dirty with all the times I put and took the doors off. IMO the quickest way to clean it was to sand it.

the forgotten pic

I don't understand these two doors. Both of them lay flat on each laying here on the bench. Why, how, and what is causing the left door to toe in at the bottom when it is attached to carcass.

attaching the knobs

 The centering of the knobs on each door was different. The right one is centered on 1 3/8" while the left on an 1 1/8".

hmm.....

The knobs don't look unbalanced to my eye. The astragal serves as a distraction for the eye.

more shellac work coming

Sanded both doors, inside and outside with 80 grit. A few planing defects popped out that I had missed. I sanded the edges of them smooth, feathering them out as much as I could.

sigh

One knob didn't fully seat. I noticed it when I sanded the door.  It had only been a few minutes which made it easier to remove. Sawed off the knob and drilled out the tenon. I checked to make sure the next knob fully seated dry first.

done

I hadn't checked before but the tenons on the knobs weren't the same length as the thickness of the stiles.
 

2 coats

I applied shellac on the muntins (both sides) and the inside face. Four coats on the back and then I'll flip them and put 4-5 coats on the front faces. Rehang the doors for the final time (?) and figure out a door catch/latch for the right one.

accidental woodworker

 Made progress on mopping up the bookcase today. I'm going out on a limb but I am confident that I'll be done with the bookcase this weekend. I didn't get any sleep induced ideas but this AM I finally thought of something. It wasn't what I wanted but I have too many calories expended on this already. Starting over again at square #1 or #2 is not an option.

over 14 years old

I can date this as being made before 2011 because the drawers aren't dovetailed. A painted bookcase because the wife wanted it painted. Pretty much the same theme as the current one, sans the drawers. I don't remember having any hiccups with the doors on this.

door astragal detail

I should have looked at this when I did the astragal on the bookcase in the shop. This one has a bead and the two doors are rabbeted on the latch/knob edges.

left side door

I plan on putting this catch on the current bookcase too. You can swap the two parts of this catch. The left door is held in tight to the top door stop and the right  door closes up the rabbet without any type of door closure, latch, magnet, etc.

rehung the doors again

Stood here giving it the absolute goofiest looks I could muster. That usually cracks something open in the brain bucket but not today. I took the doors off and laid them on the bench to see how the two laid up against each other.  No taper between them - the closing side was flat and straight top to bottom. (forgot to snap a pic of that).

hmm......

The right side isn't square at the bottom or the top but the left side is. I don't see any connection/cause between this and the taper between the doors. Besides I planed the left and right side doors to fit their respective openings.

right side door

I thought maybe the hinges mortises weren't aligned and that was causing the taper. However, both the stiles on the right hand door are dead nuts square with the top and bottom shelf. Scratch that off the blame list.

ta da

Problem solved. This I can understand causing the taper. It is a 1/4" off square at the bottom. It is square at the top though. Now that I know what the monkey wrench in the gears looks like, I'll have to put on my nuclear powered thinking cap and big boy pants  and figure out how to fix it.

lid stay

I thought I had a smaller one but as usual I couldn't find where I hid it. This one still had the directions with the measurements. I think these are handed - either left or right. This one is a right hand but I reversed the layout to use it on the left. I just naturally wanted to install it on the left so I did.

)(&@%)*%_)_)^_*)#)_%#

As an aside, the comment is called a gralix. The first time I installed it, it opened and closed. It was hard to open initially so I repositioned where it was secured to the lid. Now the lid won't close any further than this. Removed the lid stay and filled in all the screw holes.

sigh

This screw hole split when I plugged it. I will make a road trip to ACE and buy a smaller lid stay. I have several pairs in my stash but they are all for larger and heavier lids.

step one of the final fix

The top of the doors need a full length stop to close against. Getting a new one installed is in the on deck circle.

checking the stop

Clamped the right side of the door stop to see how the left door is laying against it. There is a 2 frog hair gap which I like.

wash, rinse, repeat on the right side

Gap disappeared at the far end of the door stop. Not sure how to address this here. Both doors line up flush on the front face where it matters. If need be I can plane a few frog hairs off there.

The door stop is installed dry, no glue, with only 3 screws. After the doors are 100% done, I will put in two more screws.

hmm......

I had to stop and think about this for a few. I wanted to ensure that I wasn't looking at this from left field. The gap at the bottom is a strong 1/4" and it peters out around 18" up.

taper layout

The bottom gap is 3/16". That will give me a 16th of wiggle room to play with. Up next is setting the rabbet plane and planing a tapered rabbet going from 3/16" at the bottom to nothing at the top.

layout

Pencil wasn't working on the shellac. I used a micro black sharpie to lay out the lines.

took a while

I don't want a wide margin between the astragal and the rabbet. I had a devil of a time setting the fence on the rabbet plane. It took 9 attempts before I got where I wanted it.

almost

With the left door hung again (the billionth time), The rabbet at the bottom is few frog hairs shy of being flush with the front edge of the bottom shelf. What I was hoping for - I have wiggle room to remove more. 

happy face on

95% of the gap is gone. This was a good time to kill the lights for the day. Tomorrow I will plane a wee bit more at the bottom and fingers crossed, I'll get 100% of the taper to disappear.

accidental woodworker

The next few posts will cover a major woodworking task: how to join boards together from an end-grain edge to a side-grain long edge. As you are planing and designing a project, it helps to be aware of the many available options. To make a project, we want to engage in effective, pleasant working tasks […]

Last week, as I anticipated another road trip for us all together around our star, I carved this ornament. Here’s my sketch of the design in my notebook. I cut a circle out of a thin (3/8″) basswood board, painted … Continue reading →

In August of '24, I had the good fortune of joining several highly respected craftspeople at a lunch hosted by Peter Lamb in Kittery, ME.  The guest of honor was Jögge Sundqvist, who was touring the U.S., teaching classes and visiting friends.  Jögge, a renowned craftsperson and woodworker from northern Sweden, creates pieces that are colorful, playful, and poetic.   

(photo from Joel Paul)

The lunch was a humbling experience, to say the least, and personally inspiring.  Jögge kindly listened to me prattle on about my challenges with market, how I make stuff, sell stuff, and then struggle to make enough for the next event.  All good problems to have, don't get me wrong, but the process has left me wanting, wanting to make more meaningful pieces that push form and meaning in new directions, and wanting not to feel like I need to turn more tops.  Jögge, nodding in understanding, turned and said: "It is all sculpture."

I was reminded of this exchange while teaching at Haystack Mountain School of Crafts this summer.  Haystack is a highly respected craft school, drawing the very best artists and craftspeople as instructors from around the world, so it was a true honor to be there.  But the experience left me feeling out of my depth.  Or, more accurately, I felt out of my field.  Listening to other instructors talk about the meaning of their work, what exhibitions, museums, and television shows had featured their work, and what books they had published, I found myself navigating a space that felt very unfamiliar.  While various classes asked students to give "form to the self through non-representational sculptural narratives" or "explore storytelling through fiber art," my class sought to teach students to turn a bowl on a pole lathe. That's it.

I want to be clear: I am not at all looking down on—or casting aspersions toward—the other wonderful instructors at Haystack, nor on the School’s more artistically oriented approach. That said, the experience left me with a sense of yearning: a desire to say more through my work.

While teaching craft skills is important and vital work—and work I genuinely love—I want to dedicate part of the coming year to producing a body of work that is more intentionally focused on a theme, a form, and/or a technique.

All of the instructors were asked to give a ten-minute presentation on their work, and I chose to speak about craft pedagogy, slöjd, and embodied thinking.  

(Photo: Eric McIntire)

This is a deeply important part of my practice right now, and I feel passionately about it. At the same time, the experience made me realize that I don’t even have a portfolio of my own work.  I make.  I sell.  I repeat.  In the new year, I want to change that.  I will still do a few markets, but my studio time will be focused less on production and more on creation.  I have a few leads on galleries that want to show my work next winter.  Now all I need to do is make a body of work!

That said, I have even more teaching gigs next year, and a few at schools new to me, so I will be busy!  In April, I will be teaching a five-day introduction to spoon carving and pole lathe turning at Peter Galbert's Workshop.  Instructors at Pete's read like a whose-who of the green woodworking world, and I am really honored to be part of the lineup.  In May, I will be teaching a five-day introduction to wood turning at Snowfarm, another truly impressive craft program.  Finally, I will be teaching classes at the Nantucket Historical Association for about two weeks in July.  I will run short-form adult classes in carving and turning, as well as kids' classes in carving.  Alyssa will come along for a little vacation, and as luck would have it, my friend Michael Frassinelli has an artist's residency on the island at the same time.  It should be a wonderful trip.

Lastly, I am working on two articles for woodworking magazines.  I don't want to say too much right now, but stay tuned. One should publish within the next few months.

That is all (phew)~!?!

Have a wonderful New Year's Eve, everyone.  Stay safe and hug your loved ones.

scrap

This was the original lid for the miniature chest. I ripped off the back stop and then the curved front.

yikes

There was almost 3 lines of twist according to the sticks. Step one was removing the twist on one face and making it flat and straight.

on to step two

Decided to make parallel faces. It has been a while since I have thicknessed a board, I made this one so.

done

Ended up with a board 9/16" thick. I don't need it but I'll keep it in my off cuts stash.

back to the bookcase

I will have to take off and put on the doors several more times before I can call the bookcase done. Putting the hinges back on the doors is the first step. Became aware of another potential problem - what and how will I install a door catch?

PITA upcoming

I find trying to get a screw started in the hinges awkward to say the least. Having to do it at a minimum 3-4 times sucks pond scum.

hmm.......

Both doors hung but the right one ain't cooperating. It is hitting at the bottom and tapers up and away towards the top. With the left door open, the right one will close straight.

nope

At first I thought this was hinge bound. But that wasn't causing the right door's tapered closing. If this was hinge bound, the door wouldn't close fully and it does.

hmm.......

The door is not twisted so that isn't why I have a tapered closing.

2nd check

Other than a hump on where the muntins cross, the door is flat in every plane I checked. I planed the muntins and the glazing bars flush and removed most of the hump but not all of it. The front face is flat and I don't see how this hump on back could cause the taper. Just in case, I planed what I could.

big gap

There is a slight bow in the top door stop. This end on the right side doesn't matter. It has no effect on the taper. Another dead end.

it is square

Next up on the list to check was the top front and bottom front edges were in the same plane. I checked that in a bazillion spots from left to right and right to left. A couple of spots had a some light between the straight edge and the square but nothing to cause this problem.

removing the stop

Going back to square one and that means removing the top door stop. It wasn't difficult removing it but it did leave an ugly scar. Thankfully it is at the top and the next door stop will hide it.

nope

Noticed that this top hinge was not butted up tight against the back. Fixed that and I had high hopes it was the cure but it wasn't so boys and girls.

not frustrated yet

Both doors will lay flush. The left one is few frog hairs proud on the left side stile and it toes in a strong 32nd at the center. The right one looks better than the left with it being close to flush at the top and bottom.

two hours later

I put a door stop at the bottom and nada. With the stops removed and the doors closed on each other, with no taper, I was at a lost as to what the )(&^@#Q%__)(Q^%Q+_+(+(*^%^%@) problem was.

a shaker knob

 I had bought this several years ago and never used it. The piece at a right angle to the shaft can positioned anywhere along its length. It can be turned and capture the right door to the left one. Thinking that maybe it will pull the taper to zero.

Not sure if I'll use it but I ran out of ideas for why I had the taper on the right door. I called it quits for the day here. Maybe something will light the bulb in the brain bucket overnight and tomorrow I'll fix this hiccup.

accidental woodworker