Books and DVDs

Hide Glue - Historical and Practical Applications by Stephen Shepherd

 

Click to enlarge

 

 
Hide Glue - Historical and Practical Applications by Stephen Shepherd
 

 Modern adhesives have come a long way, especially when one considers that most of them have been developed after the Second World War.  The most common glues used in woodworking today are likely white or yellow glues and epoxy, with polyurethanes pulling in a close third. Before WWII, hide (animal) glue was used almost exclusively.  It's favor has diminished in the eyes of most woodworkers today, it's use relegated to restorers and "purists", for reasons I don't really understand.

The modern glues all work well, each with their own strengths.  Yet none, at least in my opinion, work as well as traditional hide glue.  Yet, I've seen it's use actually discouraged - something I find somewhat unsettling.  I remember reading one well respected epoxy protagonist's views of using it rather than hide glue for repairing chairs.  "It can fill gaps where the wood has worn or broken" was said, as well as "it can later be disassembled with 'gentle heating' ".  My first thought was how unfortunate for the future restorer such a choice would be.  I've never known an epoxy to release it's grip with anything close to what could be called "gentle heating".   Also, while it does have impressive gap-filling capabilities, a properly repaired joint won't require it.  I've restored several old pieces of furniture, some the product of later restorations using epoxies and yellow glues, others that had been assembled with hide glue.  The latter were always a joy to work on or to restore.  The former were nearly always frustrating in some manner.

There are hide glue advocates that remain, and Stephen Shepherd is one of them.  Mr. Shepherd is a learned woodworker, schooled heavily in traditional methods and materials.  He publishes an oft-updated blog at fullchisel.com, which is a great resource for many woodworking tasks, and a must-read for any hand tool enthusiast.  He's worked as a "period" woodworker in a pioneer village, restores and builds traditional furniture and tools, and has published previous works on woodworking in the 19th century as well as some magazine articles.  His latest work, titled "Hide Glue - Historical and Practical Applications", is an attempt to educate today's woodworker on the uses and benefits of hide glue.

Review: The Art of Joinery by Joseph Moxon with Commentary by Christopher Schwarz

Joseph Moxon's "The Art of Joinery" is one of the earliest texts available to the general public written on woodworking, dating from around the late 1600's. It's actually one part of a compilation of articles written by Moxon starting in 1678, and compiled into book form later, which was titled "The Mechanik Exercises or the Doctrine of Handy-Works". It's significance is really in it's age - it is such an early example of the methods used by woodworkers, that its study is at least somewhat warranted just for that fact alone.

Moxon's the Art of Joinery

This latest "edition" also includes commentary by Popular Woodworking editor Chris Schwarz, who has also edited the original text in places to help clear up some of the grammar used by Moxon (English was a different language then than it is now) to make it more palatable and understandable to today's reader. Since reading this book, I've been putting off doing a review on it... When it first arrived I was excited to read the book, and I really, really wanted to do a glowing review on an insightful interpretation of a significant historical text, but - I just can't do that - at least not completely.

 

 

Workbenches: from Design & Theory to Construction & Use by Chris Schwarz

The editor for both Popular Woodworking and Woodworking magazines, Chris Schwarz, has published his first book: Workbenches: from Design and Theory to Construction and Use. Over the years I've become a fan of Mr. Schwarz's; he's helping bring the hand tool element back to the over "powered" woodworking magazines of the last two decades. For the last many years, magazines have disappointed me again and again with their over-"powered" approach to absolutely everything. For example, if you wanted to do dovetails they preached the use of a $400 router accessory over simple hand cut craftsmanship. I don't do enough dovetails to warrant purchasing one of those accessories, even if I wanted one, so that approach has always irked me.

Mr. Schwarz has been quietly advocating a return to a more simple approach to woodworking... one that does not preclude the use of power tools, but neither does it ignore centuries of tradition and process.

Syndicate content