Luthiery

Check out my latest Substack post!

New steel string acoustic guitars in progress, will be available for sale by the beginning of summer!

Stayed tuned for updates!

The body of the mandolin is now together, so what’s next? In this video, I look at routing the rebate for the purflings and bindings. The purflings take quite a while to fit as there are tricky mitres to cut and the bindings (made from walnut) need to be bent on the bending iron to fit exactly. All good fun! Oh, and a bit about the fretboard too!

Cheers Gary

Hi, Everyone!

I just added two new shorts to my YouTube Channel, that feature the wonderful guitarist, Juri Yun. 

I attended the 2025 Denver Guitar Festival as a vendor and Mr. Yun stopped by my table to try out the guitars I brought to the festival and he was very impressed with my work!

Go to my YouTube Channel page on this blog to see videos of other great guitarists playing my guitars!

Here’s Part 3 of my New Model Mandolin build series. In this one, I look at joining the Adirondack soundboard and making and fitting the rosette. There’s also a bit more on the neck and last but certainly not least, the back gets braced and fitted and you’ll see how the radius dish (seen in part 1) continues to help the process.

Cheers Gary

 I would have bent my first set of sides during my first year at the London College of Furniture (1976/77) and I’ve bent a fair few bits of wood since. It never ceases to amaze me what you can do with a drop of moisture and a bending iron. I wasn’t 100% sure about the extreme bending that this new shape would need but as you’ll see (spoiler alert) it all went well. So, in part two, I make the rim of the mandolin: bend the sides, fit various blocks, linings etc and use my radius dish for fitting the back. Also, I get the neck blank made too! Quite a lot to take in, so get yourself a cup of tea.

Cheers Gary

No sooner one mandolin is complete than another comes along!

So, after a very long gestation period, my New Model Mandolin is finally being realised. In this first episode of a new build series of videos, I look at its overall shape and go into detail about the making of the external mould. The mould is used for accurate construction of the mandolin’s rim.

Hi, Everyone!

Check out my latest Substack post!

Stay tuned to this blog! I plan on updating the layout a bit and talk about some new woodworking ideas!

 

The electric mandolin (e-mando) is now complete! In this video, I give a “guided tour” of the instrument and a demonstration of how the pick-up system works.

And a few photos below.........

Hope you like it!

Cheers Gary

2025 Wilson Burnham Engelmann Spruce/Wenge double top classical guitar with an elevated fretboard. 

Ebony fretboard, East Indian rosewood bridge with MOP tie block cover, Manuel Ramirez style rosette.

Back and sides are laminated with curly Spanish cedar.

650mm string length

52mm wide at nut, 58mm string spacing at bridge. Please scroll down the page for more photos of this stunning guitar!

Regular price was $8000, price reduced to $4000! I am moving to a new studio and I want to liquidate my current stock of guitars!

For more specifications on this guitar, please click here!

Watch Juri Yun play this guitar! Please visit my YouTube channel, @wilsonburnhamguitars8563

"Wilson's guitars are outstanding! They have incredible voices and are easy to play! They are easy to play because the treble strings are there, they are present and you can hear them above the bass strings! You don't have to work hard to make these guitars sing!"

Nathan Fischer, president of the New York City Classical Guitar Society

The honeycomb Nomex in this double top guitar is cover with a veneer of old growth redwood to enhance the guitar's voice.

The sides are attached to the top with blocks of ebony, these ebony blocks make the guitar louder in sound!

Laminating the wenge back and sides with curly Spanish cedar stiffen the guitar to increase the volume and beauty of the guitar's voice. The sound of this guitar reaches out to the hearts' of your audience to bring them to you and the music you are playing!

 

These holdfasts have served me well of the last 32 years, I used them a lot when I re-sawed guitar sets by hand with a rip saw, they have never failed me. I do own a pair of Gramercy Tools holdfasts, I use them to clamp down a miter box I use for cutting kerfing strips of guitars, but I reach for and use those old holdfasts on a regular basis.

I started this blog in 2007 to share and talk about my woodworking and guitar making. I am very grateful that my blog has been on the two best woodworking aggregators: Norse Woodsmith and Unplugged Shop. Thanks to them the word got about my work.

The other day, I noticed that Unplugged Shop didn’t share my last post and took down the previous post on their website.  Since this happened I have noticed that the number of visitors to my website are down. I  submitted a request to have my website appear on their aggregator, I haven’t heard back from them. 

I wonder if the AI robot that assists their website doesn’t consider a guitar maker to be a “woodworker”? Is it because I don’t make stick chairs or turn bowls anymore? And that I don’t post much “how to” about guitar making? I’m a little baffled by Unplugged Shop’s action.

I hope that norsewoodsmith.com continues to share my and other woodworkers blog posts, I am very grateful for that old school aggregator. Thanks!